|
Burmese mosaic art started around the time of the
Bagan Kingdom. This noble art is seen mainly on
royal and religious items and buildings. But sometimes mosaic is
also used in artefacts and household objects of the common lay
people to achieve a new sense of beauty and splendour.
The materials have shining glorious colours mostly embedded
with various precious gems and stones. The glass is lit with
colourful, shining objects in mosaic art. Valuable precious gems
and semi-precious stones are used to invest ordinary utensils
and other household articles with glory and splendour to make
them unique and attractive and thus fit for royal use.
The Nine Noble Gems also decorate several items for royal
use. These items decorated with mosaic were used only by royalty
and persons of great wealth.
The nine gems are always set in the same order: the ruby in
the middle, the diamond at top centre, then, clockwise, the
pearl, the coral, the topaz, the sapphire, the moonstone, the
zircon, and finally the emerald.
The ruby is for glory; the diamond for dignity; the pearl for
grace; the coral for power; the topaz for health; the sapphire
for love; the moonstone for perfection; the zircon for strength;
and the emerald for peace.
When brilliant gems and fine stones are put on glass by means
of starches from the barks of certain trees, in various styles
and designs, this art reaches a high state of workmanship.
Light, splendour and brilliance is achieved to bedazzle the eyes
of all on-lookers. So Myanmar mosaic is also termed the "art of
systematic order on glass" (hman-si-shwe-sha) with gold for
further embellishment.
This is a subtle art to be practiced only by the most skilled
specialists. Experts make the glass that is to be embossed or
embedded in various sizes and shapes in the forms of circles,
squares, triangles, ovals, etc. according to the dictates of
harmony and artistry. Even valuable gems and pearls are embossed
or embroidered or bedecked in suitable ways.
|